Artist Statement
My formal art training began with figure drawing and I immediately fell in love with gesture studies. They are all about line and immediacy; the quick, precise motion of your hand honing in on what is important, finding that thing that you can’t put your finger on that somehow makes your drawing look like the person being drawn. When you get it right, the whole drawing comes alive. I try to bring that sensibility to my clay work, beginning with a quick gesture in clay. Then, slowly, the gesture is refined, paying particular attention to subtleties of body language, like a hand on a hip, that animate the piece and reveal its character.
SELECT WORK BY ARTIST AMY NOLAN
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